In "Matrilineal", I have drawn inspiration from my Métis and Eastern European heritage to explore pathways to recovery from gender-based violence through often feminized artforms, such as Métis beadwork and matryoshka dolls. Through these mediums, I have conceptualized the self as a cultural identity that is held in sanctuary by one’s family, community and Nation, which exists beyond the Western notion of the self as narrowly confined to an individual’s body, mind and soul. Through beads, dolls and roses, I have found my place within these traditions and identified a vital part of myself that is resistant to traumas or trials past and present. In this body of work, I have manifested my search for solace, resilience and healing in the modes of expression wielded by my mothers and foremothers for generations.
Matrilineal install shot
Second Skin, 2021
Seed beads, thread, sculpting mesh, beading foundation, denim, copper and steel wire and Levi's shirt
Rending, 2021
Faux leather, thread, acrylic
Self Portrait as My Mothers, 2020
Matryoshka dolls and basswood
The Sum of Her Parts, 2021
Matryoshka dolls, acrylic
Grandmothers’ Garden, 2021
Seed beads, thread, embroidery hoop, linen and wild rose thorns
Self Portrait (Two Years Later), 2021
Seed beads, thread and oil on canvas
Nature, nurture, 2021
Seed beads and thread on canvas
Other Half, 2021
Matryoshka dolls and basswood
